Advantages of Bands Selling Out?
BB6 Music posted an interesting podcast regarding what is selling out for bands. Credit to them for this:
Nice work if you can get it. With music sales no longer a stable source of income, bands and artists are saying “yes” more than ever to corporate branded gigs and private parties.
It’s a lucrative business with some acts charging as much as £1 million for a show.
Starting with Groove Armada, who were once signed to Barcardi’s record label, Adrian Larkin takes a trip into the world of corporate gigging.
Wizard Festival, Aberdeenshire
Organisers of this year’s Wizard Festival, held at New Deer, Aberdeenshire, have announced a clutch of top class acts have been added to the bill.
Sandi Thom, Proud Mary, The Dykeenies, Kid British and The Dangleberries have all been added to the main stage line up.
Hip Parade, The Draymin and Root System have all been confirmed to play the festivals second stage, the Banshee stage.
The festival, now in its fourth year, is held on August 27 & 28, over the bank holiday weekend.
Local lass Sandi Thom will be performing on Wizard’s main stage. Thom, born and raised less than 20 miles from where the festival is held, will be showcasing her new blues album ‘Merchants and Thieves’ to local fans for the first time at Wizard.
Kid British will be making a first ever appearance in the North-East of Scotland when they play Wizard’s main stage. Described as a ’21st century punky reggae party’ Kid British are guaranteed to get the party started with their raucous live show certain to set Wizard’s main stage on fire.
Proud Mary are one of the festival’s favourite acts, with fans demanding that the band return year after year. Showcasing their eagerly anticipated yet to be named third album, festival fans will be treated to an exclusive preview of new songs from this talented group of musicians some of whom will be flying in from Los Angeles especially for this show.
Following a storming set at Wizard in 2008, The Dykeenies will make a welcome return to the North-East’s only two day music festival this August. The Glasgow based four piece are sure to get festival goers grooving with their punchy pop melodies.
These acts join an already impressive line up including Happy Mondays, James, Alabama 3, Pearl and the Puppets, Complete Stone Roses and the Peatbog Faeries. Top Glasgow DJ’s SLAM have also been confirmed to headline the festival’s dance tent on Saturday August 28th. More headline DJ acts will be announced in the coming weeks.
Hip Parade will be playing at Wizard following a summer of storming main stage sets at festivals across the UK. Root System will be bringing their unique mix of ska, techno and punk to Wizards main stage.
The Draymin, who hail from Fife, make their Wizard festival and indie fans are sure to enjoy this appearance by a band that have been tipped for greatness in 2010.
Bringing a touch of bagpipe rock to Wizard will be Scottish festival favourites The Dangleberries. This is a first ever appearance by the renowned 12 piece that uses bagpipes, guitars, drums and a tambourine to get fans dancing with a mix of Celtic cover versions and original material.
Roy Thain, Wizard festival director said:
‘We have added loads more top quality acts to the programme and many of them will be performing at Wizard for the first time so that is always very exciting. We think that we have put out our strongest line up ever this year and we are delighted that so many great bands are really keen to perform to festival fans in the North-East. One of the things that we are really passionate about is supporting up and coming acts from north of the border and so we have made a real effort to book as many young breaking Scottish acts as possible. Making the bill varied with lots of different genres of music opens the event up to as many fans as possible and we are convinced that this year’s line-up will attract music fans from across the UK and beyond.’
The organisers have also announced an online competition where festival fans have the chance to win a pair of weekend tickets.
Wizard festival is two day music, arts and cultural event that takes place each year just outside the ancient village of New Deer, Aberdeenshire. A family friendly event, the festival also runs a full two day programme of activities for children and young people.
Last year the festival attracted more than 4000 fans from across the UK and has trebled in size since its first ever outing in 2007.
Transport links to and from the festival have been increased this year with busses running from every major Scottish city as well as local routes. Visit the Happy Bus site for more information: http://www.happybus.co.uk/wizard-festival-c-111
Weekend Ticket – £70
Saturday Ticket – £45For further information visit: www.wizardfestival.com
Music Mag on Myspace
Yeah yeah yeah i know it’s a bit late…
But feel free to follow us on myspace. we’re cool. Promise.
www.myspace.com/musicmagonline
Merry Christmas!
Merry Christmas from the music mag.
If you want your album reviewed, your band added to our unsigned section, or a review featured then please contact us.
And make sure to have a fantastic Christmas.
P.S. Congratulations to Rage Against The Machine for trumping Xfactor to number one! There is a free UK gig coming soon as a thank you. Here’s Slade to welcome in the day!
Want a drink this weekend in London?
Hey guys and girls!
Being a part time Londoner by trade, full time Londoner by heart, I thought I’d advise a couple of places to go if you fancied a drink this weekend.
The Cross Kings in Kings Cross has some quality little bands on for very cheap, it’s always busy and is a nice atmosphere. I’ve been there a few times and found some quality bands, that I still keep in contact with now. The beer price isn’t amazing – being central London – but if i remember rightly it was about £3 a pint.
Don’t fancy central? I’ve visited a place in Lewisham called the Fox and Firkin. They do a festival there every summer called the Fox Fest. What a festival!
Two days of music, from lunch time til bed time. All for a few quid. Absolutely aamzing, with a fantastic beer garden to boot.
Again beer prices aren’t cheap cheap, but they often have a few cheaper options and is a little better priced than central. Also the food on the way back will make up for that! 1.99 for burger and chips! Hells yeah!
Anyway. They’re my two recommendations for tonight if you’re out and about and looking for an adventurre. Lewisham can be a bit rough, so be careful if you go there – once in side the pub though it’s friendly as possible.
Is Lady Gaga a Hermaphrodite?
Okay, so if you follow celebrity talk, or gawp at Lady Gaga like a lot of us, you’ll have heard the rumours floating around.
The rumour is that lady Gaga has a penis! She has both male and female parts, that she is a hermaphrodite.
To be honest, that could be anything really. But she does have quite a strong jaw line and a slightly man-ish walk. She also has a massive gay and lesbian following.
So what do you reckon? Yes or No? Is she a Hermaphrodite?
Please take a look around our site as well – We have some great Unsigned Bands, most of which are based in London. We have some wicked features and reviews, including The Best Chillout Music and more.
Techno London
It’s been a while since i did a music trash post, so here we go!
I’ve been wondering about going to see some Techno in London for quite a while now and I came accross this site which is awesome – not as awesome as here though, obviously!
So check it out if you’re looking to see when and where Techno is played in London – http://london-techno.co.uk/
Technorati code – please ignore:
n62u95thaq
tvpwd3ug29
Music Discussion Forum
Okay so The Music Mag is going to have a music forum of it’s own installed very soon!
Currently we link to a different website, going by the name of corporation x – click the link to have a look. Whilst the forum is very pretty, we’re looking at sorting out a discussion site that’s hosted here.
I’m hoping that we can get a load of unsigned bands and promoters signed up. Allowing people to post gigs, songs, as well as just starting some good discussions.
The forum should be installed later today or tomorrow. So make sure to keep checking back 
Craig.
The Music Mag Creator!
A Look at Media Frenzy
In the 21st century, death sells. From papers to albums to television ratings, death is a much more lucrative money maker than sex was in the 90s. You just have to look at the passing of Michael Jackson to see evidence in action. While the death of Michael Jackson was always going to attract media coverage (what with him being one of the biggest musical icons of all time and that), it was magnifed ten fold because of the timing; on the verge of a huge money-making (and let’s not forget that was precisely the reason for these tours) tour, one final trip around the globe before settling down. It was certainly something to look forward to, even for those who weren’t the biggest Michael Jackson fans since Jackson in his prime, was a stage show and live act to behold; the very best dance routines, inch-perfect pop tunes and pitch-perfect performances rightfully made him a household name and critical darling. But, a week following his death, we have been robbed of what could have been a swansong to remember. Or it could have been an embarrassing pratfall for everyone involved.
Regardless, he passed and left a legacy that is largely untouched by many pop acts. The biggest selling album of all time, revolutionary albums, a fanbase to rival Beatlemania and a media frenzy that makes the Jade Goody outbursts seem tame in comparison. It’s understandable in this case, however. The respect for the music is something very much well deserved (the respect for the man is another case but I won’t drag this down into that mire) but the notion that music lost a shining star rubs me the wrong way.
Ever since the release of ‘Dangerous’ in 1991, Michael Jackson’s musical output wasn’t good. In 2009, he was not the creative force he was 25 years previous and we didn’t lose a creative visionary. We lost a man that had spent the last 15 years of his life, vilified in pop culture at every turn, fighting court cases and building up a debt so large, he had to organise a massive tour and sell his possessions to attempt to pay it off.
As always with the media, it’s the great hypocrisy and irony that, I’d assume, does not go lost on the newspaper editors around the world; Michael Jackson died of a cardiac arrest and some people are pointing to massive stress as a possible contributing factor to it. Has anyone took a step back and realised that the media circus surrounding, a quite clearly mentally unstable man, heaped more stress and unrest on to what was a traumatic period in his life? Let’s just examine the last 10 years or so of his life; the media frenzy surrounding the 2005 trials was almost unreal in the sense it didn’t feel like this was a real man under the microscope. It felt like a character, dreamed up by the New York Post to sell some newspapers then set up to be dragged through the mud. Let’s not forget the same papers that have been hailing him a great man, once pointed the finger of pedophilia toward him. The same papers that have held his name in such high regard, were all too quick to stamp on it years previous. The inherent hypocrisy does not surprise me, or even alarm me anymore; those who were once vilified can be redeemed to sell papers. Especially if they wrote Thriller.
It’s not the media that are creating a faux outrage though; the common public are very much to blame. You know the ones; people who laughed at a Michael Jackson joke before his passing are suddenly standing atop the moral high ground. The ones telling us to respect him while sitting watching an emotionless and frankly digusting and exploitive memorial service and buying tribute issues of OK Magazine. These people are hollow husks, riding a wave of popular opinion, wearing death as the latest accessory piece to go with the hypocrisy handbag and irony sweater and their opinions shouldn’t be counted as valid.
But, those whose opinions, perhaps could be considered valid, need to take a step back and consider the hyperbole. At the memorial service, Al Sharpton said that Michael Jackson had created the environment in which Barack Obama could be elected President; in the immediate aftermath of his death, Michael Jackson has done more for race relations than Martin Luther King. Sharpton, again seemingly unaware of the irony, has lashed out at the media for creating the frenzy around his death, has is one breath, hit out at the circus while, in the other, has contributed to it more than any other; standing at a disrespectful memorial service, talking into the TV cameras about respecting the dead.
As for the revival of his music, that is the one part of this circus I can respect and agree with. It’s sad that it took his death and reinvention as an idol to introduce a whole new generation of people to some of the greatest pop music ever written (and I say that without hyperbole). But, where were those people during 2005, when he needed the support and, arguably, the money? They were disgusted with the notion of listening to his music, disgusted at listening to a man portrayed as a child molestor in the newspapers they were reading. The circus that killed him is keeping his legacy alive.
This whole thing should leave a sickly taste in everyone’s mouth; I was always told to respect the dead and this is exactly the opposite. This is dragging a man’s legacy through the mud, holding his life up to a lens and using it to sell his death as a lifetime-defining event. Maybe we’ll see “Where Were You When MJ Died?” t-shirts on sale in the foyer of the Staples Centre as his family is paraded to mourn for the cameras, as his grieving daughter is wheeled up to cry photogenic tears for the next day’s newspaper. Maybe, it’s just me. Maybe, I’m the only one who finds it disrespectful that you can pay a little bit extra to keep a concert ticket as a “memorial”. Maybe I’m the only one who finds it disrespectful that you could visit a man’s memorial service by putting your name in a lottery. I find it disrespectful that cameras are inside a man’s personal property, only days after he died, to find an insight. I find it disrespectful that the Motown label are releasing and releasing albums to capitalise on a man’s death. I find the whole thing repulsive and not at all how you should respect a man’s passing. We shouldn’t be dolling up his family and friends and pushing them out to mourn, we should be letting them grieve in their own circles. We shouldn’t be laying out a dead man’s personal secrets for the whole world to peek into and more importantly, we shouldn’t be buying the papers that simply lie to us so they can sell us a story. Pay the man some real respect by admiring his art and letting him rest.
Glastonbury 2009 – Unreviewable
For the past four days I’ve been trying to work out how best to write a review for my Glastonbury experience; by day, separate music/everything else sections, ‘hot or not’. but without writing pages of text full of “this was flippin’ ‘awesome” repeating at the end of each sentence, it’s impossible.
So I think it’s generally just going to have to be a quick roundup with a series of ‘moments’, along with a quick breakdown of who stood out musically as well. If you don’t mind sticking around for that, read on.
Here we go…
Everyone may say that Glastonbury is like no other festival out there, and although ‘they’ always seem to say that, they’d be 100% correct; the only way to really know how it goes down is to go there yourself. No amount of irritating BBC presenters (Peel will always be irreplaceable) bringing you highlights will get you nearer to the truth either, although to be fair I have made full use of the highlights since returning.
The first thing is the sheer size of the place. I’m quite amazed that we managed to get around it in whistlestop motion and see most of what was on offer, although next time I’ll be a little more relaxed about where I end up. To give you an idea of the scale of the place, it took us about 1hr30mins to walk from our car park (north-east of the area) to our camp (set in the south). Also there’s about 30+ tents/stages/teepees all showcasing a ridiculous amount of musical genres and performances so that you’ll never be more than 5 mins walk from some action.
In a nutshell, the festival consisted of:
The Healing fields full of sandpits, hammocks, lotus lounges, 24hr organic cafes, palm reading and Buddhist readings. Craft areas where you can make your own lantern, bongo drum, clay pot, pipe, hanging baskets paint murals and glass beads. Arcadia which had motorbikes buried vertically halfway in the ground as makeshift seats, a Mad Max-style distopian circus with a fire-blowing central tower plucked from some future Mega-City One, a tequila bar consisting of just a bar, barman one shot glass and the bottle of plonk, and crumpets served by strumpets. Trash City had a stage laid out as a pinball machine with tables styled as flippers. The Stone Circle providing (perhaps not surprisingly) a miniature Stonehenge, 30ft high wooden dragon sculptures and a hill providing some of the best views of the festival. An area seemingly based on Blade Runner, Shangri-La, had a stage in the middle with alien-like women in white twirling around electrical lit whips while creepy blokes dressed in full black PVC walking on stilts but on all-fours scared the shit out of me.
N.B. An abbreviated paragraph does no justice though.
Moments:
* Not wanting to go to sleep simply because of the fear of missing out on something – it truly is a 24/7 (or 24/5.5 for the cynics) affair
* Saying to my lass how Pendulum have never played Tarantula live when having seen them before, for them to then go ahead and bang it out there and then
* 7am Monday morning and sitting on a swing chair at a cafe blasting out ‘Born To Run’ by Bruce Springsteen. A seriously wide-eyed guy then asking us how much for the chair? Having said it wasn’t ours to sell, we then proceeded to watch him ask another 30 people in the cafe before giving up and leaving
* Lily Allen‘s ‘Smile’ with it’s d’n'b and slowed-down ragga portions
* 8am Monday morning and watching a naked bloke ‘high on life’ shout joyously about peace and love while rolling around in the mud while a about 20-25 people videod/took pictures as his embarrassed other half tried to calm him down. So funny, but I felt so sorry for her…
* Deadmau5 playing ‘No Sudden Moves’ by Glenn Morrison and sending me into pure bliss
* Rolf Harris, 79 (I can’t believe that!), battling with his beatboxing mate
* Walking back to the tent from The Park at about 5:30am Saturday and surveying the ‘damage’ from the first full Glasto night
* Howard Marks‘ story about when he pulled a whitey
* Wandering through a narrow Blade Runner-esq Shangri-La backstreet, turning a corner and walking through a small doorway to a small 15×15 foot room playing some of the dirtiest funky electro house I’ve ever heard
* Nick Cave and The Bad Seeds. He and Deadmau5 made my summer
* Tom Middleton‘s set in The Snug, a miniscule two-teepee venue, listening to Underworld, Groove Armada, Janis Joplin remixes and afro-beats
* Falling asleep for a nice 30min nap in the baking sun up above the teepee fields with views of the sunset across the entire site
* After Prodigy on the Sunday night, encouraging an up-for-it guy to space-hop his way back to the tent. We kept him company for fifteen minutes, and I hope he made it. He deserved to triumph for the enthusiasm alone
The music:
Nick Cave (enthralling), Glasvegas (path to the top), Deadmau5 (blew my head), Lily Allen (set up the main stage), Tom Middleton (danced my booty away) and Rolf Harris (79 and still the man) all impressed.
Lady Gaga (lip-synch extraordinaire), Spinal Tap (something missing) and Prodigy (very short set) didn’t.
In summary:
Enchanting, manic, soothing, ballistic, euphoric. The one thing I had to constantly remind myself about is to not get used to the surprises. Fucking incredible.
Joy and Love x
